The outcome is tedious and not as exciting as the first half. Together with stylish execution and superb cinematography (Pravin Bhatt), the outcome leaves you thirsting for more.īut the film suffers in the post-interval portions, since it gives an impression that the writers were, perhaps, trying to package just about everything to woo the viewer. The introduction of Akshay Kumar is spell-bindingâ€¦ The sequences between Paresh Rawal and Aftab Shivdasani, their interaction with the women of the house (Amrita Arora, Supriya) and later with Akshay Kumar, drive you wildâ€¦ Sunil Shetty's introduction (action) is nail-bitingâ€¦ Upon landing in India, the scenes between Paresh Rawal and Johny Lever are hilariousâ€¦ The interval point, when Akshay and Sunil join hands, catches you unawareâ€¦ * Five, the packaging of the film, the technique used, is a cut above the rest.ĭirector Vikram Bhatt and his team of writers (Anand Vardhan, Mangesh Kulkarni) succeed in arresting the viewer's attention in the first half of this enterprise. * Four, the light sequences in the first half and the witty one-liners (Neeraj Vora)

* Three, the pleasant-sounding music (Anu Maliik) and the outstanding picturization of all songs * Two, the film has a larger than life look â€“ the stars, the visuals (U.S., Spain, Muscat), the overall rich and glossy look * One, the stunts (Philip Ko, Abbas Ali Moghul) are breath-taking, comparable to any international flick To an extent, director Vikram Bhatt succeeds in his mission of making you laugh, even if logic takes a backseat and the wafer-thin storyline is stretched beyond a point in the second half.ĭespite a half-baked script, the film holds your attention, in the first half mainly, for several reasons â€“ A glossy product, it takes a step forward in terms of technique, but stagnates when it comes to the script.

What happens next?ĪWARA PAAGAL DEEWANA is one of the most stylish thrillers attempted this side of the Pacific, with all sorts of jokes and slapstick thrown in to enliven the proceedings. Around this time, Vikrant announces a cash reward to anyone who reveals Guru Gulab's whereabouts.Īnmol's greedy wife Mona (Amrita Arora) and mother-in-law (Supriya) force Anmol and Manilal (Paresh Rawal), the father-in-law, to meet Vikrant in India and inform him about Guru Gulab's whereabouts and collect the prize money.īut upon reaching India, Anmol and Manilal are picked up by Yeda Anna (Sunil Shetty) and Chhota Chhatri (Johny Lever), who are contract killers. Guru Gulab reaches America, where his immediate neighbour is Anmol (Aftab Shivdasani), a doctor by profession.

Awara paagal deewana 2002